Não desapareceu e está em sítio digno: a extinção das ordens religiosas e a redescoberta da tábua quinhentista atribuída a Gregório Lopes, outrora no Convento de Santo António da Piedade de Évora

Abstract

The hard work of surveying, study and national dissemination of hundreds of music images in fifteenth and sixteenth century in portuguese retables, and others with connections to Portugal, not only in living and record paintings but also those that little or nothing were written, allowed me to bring together a corpus of over eighty paintings, including a Nativity assigned to royal painter Gregorio Lopes, whose location was rediscovered in November 2010.